April 24, 2020, 3:30 PM CDT —
April 25, 2020, 9:00 PM CDT
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Reva and David Logan
Center for the Arts,
915 E 60th St, Chicago, IL
60637, USA
a conference about
The cinematic has never been confined to “the cinema”: throughout film history, spectatorship has taken place across a multitude of sites. From home movies projected on living room walls, to vaudeville recordings shown in prisons, to all-Black westerns that played in segregated theaters — cinema has always been a vexed site, the experience of which has been predicated on the subjectivities of spectators and the nature of the spaces they inhabit.
This conference celebrates increasing scholarship that seeks to create a more kaleidoscopic view of where cinema can be found and who its spectators are. Nowhere is this more true than in the shifting configurations we see today, including streaming services, mobile viewing, alternative approaches to exhibition, and more. “Site/Seeing” puts the diverse histories of cinematic spectatorship in conversation with the present and possible futures.
Photo by Alexandra Friendly Photography
KEYNOTE
Alison
Griffiths, PhD
CUNY Distinguished Professor of Film and Media Studies, Baruch College
Dr. Alison Griffiths (PhD, NYU; MA, University of London) is CUNY Distinguished Professor of Film and Media Studies at Baruch College and an internationally recognized scholar of film, media, and visual studies. Her research crosses the fields of film studies, nineteenth century visual culture, and medieval visual studies and examines cinema’s relationship to and experience in non-traditional spaces of media consumption. Griffiths is the author of three monographs and over 35 journal articles and book chapters. Her most recent book, Carceral Fantasies: Cinema and Prisons in Early Twentieth Century America (Columbia, 2016), examines how cinema gained a foothold in American penitentiaries as well as the range of early images of inmates that fed the carceral imagination.
Reva and David Logan
Center for the Arts
915 E 60th St
Chicago, IL 60637
University of Chicago
Department of Cinema
& Media Studies
University of Chicago
Department of English
Language and Literature
University of Chicago
Department of South Asian Languages and Civilizations
University of Chicago
Department of Anthropology
JENISHA BORAH
Jenisha Borah is a PhD student in Cinema and Media Studies at the University of Chicago. Her research interests include intersections of cinema and the city, informal economies, and film spectatorship.
ASHLEY TRUEHART
Ashley Truehart is a PhD student in Cinema and Media Studies at the University of Chicago. Her research interests include the specter of the Hollywood Production Code over present-day representations of race, and manifestations of Black liberation ideologies through media.
MAGGIE SIVIT
Maggie Sivit is a PhD student in Cinema and Media Studies at the University of Chicago. Her research interests include critical theory, documentary and archival studies, and Cuban cinema.
